- #PROJECT SAM SYMPHOBIA MISSING SAMPLES FULL#
- #PROJECT SAM SYMPHOBIA MISSING SAMPLES PRO#
- #PROJECT SAM SYMPHOBIA MISSING SAMPLES SERIES#
The use of controllers brings life to the sound. so each track gets its own cc1 and cc11 control values, dynamics and expression. I rarely use ensembles because you can create individual sections to make the sound much more realistic. There are mixer presets and you can create your own presets, which is great. The CS deal is great and I say for the money there is nothing like it at the moment, except EWHO Diamond.Ĭlick to expand.I haven't had CS for that long, but basically the sound out of the box is very good. In principle, to get a complete library you need at least Symphobia 2, and sometimes also 3.The single instruments are partly spread over all 3 libraries, and then partly limited or combined with other instruments. Please note that Symphobia 1 has no legato patches. For finding ideas Symphobia is ecxcellent and still sounds great. And for the sections I use other libraries that give me more control, more round robins and more mic positions. Symphobia is great, I don't use it that often, because the combinations of the instruments often don't fit. I guess that it is not so easy to mix relatively dry libraries with it. I don't have the EW Symphony Orchestra, but I have heard many great compositions with it. For the real cracks it's probably an awesome feature. Not to use them is no problem, these are nuances that in my opinion are not important at first. I don't see a problem there, but to have the possibility is great.
#PROJECT SAM SYMPHOBIA MISSING SAMPLES FULL#
The finger positions are really quite advanced, to use them correctly is a high art that probably not many users take full advantage of.
#PROJECT SAM SYMPHOBIA MISSING SAMPLES PRO#
I don't think the Pro versions are necessary (for me), because I like to use EW's Hollywood Orchestra and both libraries work well together as it looks like.ĮWHO is still one of the most used libraries I have, although I understand that it is confusing at first to use all the possibilities correctly.īut with time it's not that complicated once you understand the patches and know which ones you want to use, this has already been mentioned here. Single sections and sufficient mic positions make individual orchestration easier. I have only had CS for 2 days now, but I am thrilled with the sound and the control possibilities.
#PROJECT SAM SYMPHOBIA MISSING SAMPLES SERIES#
The shorts are great for layering.īasically I still think the Symphobia series is a great library. In my opinion, the strings sound even excellent. Strings and brass sound very good, but there are few round robins and dynamic layer. When it comes to working out nuances, or "fine-tuning" individual instruments, Symphobia is limited. The missing possibility to use Kontakts TM makes it difficult to work with some patches to get them in the right tempo and timing (clusters and so on).
Symphobia is also great for finding ideas. Symphobia is great for getting good sounding results quickly.
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